Interview: Philippe Austruy

Could you introduce yourself and tell us about your background in the world of wine and art?I am Philippe Austruy, a Belgian businessman in the medical sector and grandson of Burgundian winegrowers. Although my career unfolded in a different sector, I always harbored the dream of owning my own wine estate. My passion for art has always accompanied me and has become an integral part of my life.

What inspired you to build an art collection within the estate of Commanderie de Peyrassol?When I discovered Peyrassol in 2001, it was love at first sight. It was not only an opportunity to make wine, but also to create a place that truly felt like home. From the beginning, I saw the estate as an ideal location to exhibit my art collection, both indoors and outdoors. For me, art represents encounters, emotions, and spontaneous discoveries, and Peyrassol offered the perfect setting to bring this passion to life.

How do you choose the artists and works that become part of the collection?My collection is not a classical collection in the traditional sense of the word. I collect art in a very spontaneous way, often through encounters with gallerists, artists, and business partners, who in some cases have become friends. There isn't a strict line, although I have a strong affinity for contemporary art. Additionally, I also have some modern works and am drawn to artists with a social or political commitment, as well as to those who break away from academic conventions.

What role does the environment – the vineyards and the landscape – play in the presentation of the artworks?The natural environment of Peyrassol plays a crucial role in how the works are presented. The interplay between the artworks, the vineyards, the forests, and the landscapes has been carefully considered. Together with Mathilde Marchand, the director of the collection, and our landscape architect, we deliberate on how sculptures can integrate into the landscape. A good example is the scenography of the forest trail, where we have created clearings to better highlight monumental works.

Are there specific themes or art movements that define your collection?Although my collection is very eclectic, certain movements clearly emerge. For example, there is a strong presence of opto-kinetic art, which plays with movement, depth, and light. Figuration narrative, art brut, and the light and space movement also have their place in my collection. Ultimately, emotion is the driving force behind all my acquisitions, and that has led to a diverse and versatile collection.

How has your art collection developed since its inception in 2001?Since the establishment of the art center at Peyrassol, the collection has continued to grow. Every year, one to five new works are added. Although I collected art long before acquiring Peyrassol, it was the first time I brought so many works together in one place. Today, the collection comprises 140 works, and we continue to develop new projects to further enhance the art experience on the estate.

Could you tell us about an iconic work in your collection or share a special anecdote?One of the most remarkable works in the collection is the model of Jean Dubuffet's Tour aux Figures. Dubuffet, known as the founder of art brut, created with this sculpture an imposing work that plays with color and form. The version on display here offers a more intimate glimpse into the structure of the original 24-meter-high sculpture in Issy-les-Moulineaux.

How do visitors experience the combination of wine culture and contemporary art?I find that the combination of wine and art often creates a surprising effect for visitors. Many people initially come for the wine, but then discover the art and are moved by it. Others come for the art and then become interested in the wine. This cross-pollination makes Peyrassol unique and enhances the experience on the estate.

What are the biggest challenges in maintaining and expanding an open-air art collection?The maintenance of outdoor artworks is a daily challenge. Nature, weather, and other external factors can impact the condition of the works. We therefore continuously work on the preservation and restoration of the collection, so that it remains in optimal condition for future generations.

Do you collaborate with artists to create specific installations for Peyrassol?Yes, several works in the collection have been created specifically for Peyrassol. A great example of this are the in situ works by José Yaque and Bertrand Lavier, which made a big impression last year. These collaborations are always special, as they connect art and location in a way that would not be possible anywhere else.

What are your future plans for the art collection and how do you see its further evolution within Peyrassol?We continue to expand the collection and have plans to open a new exhibition space within the Commanderie. This will allow us to display even more works from my collection and further deepen the art experience at Peyrassol. Ultimately, I want to maintain harmony between wine, art, biodiversity, and gastronomy – the four core values of Peyrassol.